George Clooney’s return to silver fox status is nearly complete, several months after debuting a dye job that was mocked online.
The actor, 63, attended the Tony Awards with the majority of his hair in it’s familiar shade of grey.
George, looking handsome in a slick black tuxedo, attended Broadway’s biggest night with his gorgeous wife Amal, 47, by his side.
Amal stunned in a white beaded dress teamed with a marble clutch and a head full of loose, romantic waves.
George dyed his famous salt and pepper locks dark brown back in March for his role as legendary newsman Edward R. Murrow in his Broadway show Good Night And Good Luck.
While the temporary hair might not impressed many, his work in the play certainly did – he is nominated for the Tony for Best Performance By An Actor In A Leading Role In A Play.
George Clooney’s return to silver fox status is nearly complete, several months after debuting a dye job that was widely mocked online
George dyed his famous salt and pepper locks dark brown back in March for his role in the Broadway adaptation of Good Night and Good Luck; pictured May
The actor looked in his element as he confidently posed on the red carpet with Amal by his side.
They even showed some PDA with Amal – who has been married to George since 2014 and shares eight-year-old twins Ella and Alexander with him – planting a kiss on him.
Read More Ariana DeBose, Brooke Shields and Lea Michele lead red carpet glamour at the Tony Awards 
It comes after George endured ridicule over his shock hairstyle.
Fans have shared been sharing their disapproval of his new darker hair and orange fake tan, with some admitting it makes him look ’20 years older’
Others joked he’s put a ‘full blown black sharpie on his hair’ as they begged for him to wash out the hair dye.
They wrote on X: ‘Weird seeing George Clooney once had non-grey hair. I figured he popped out of the womb a silver fox!’,
‘What in the Sam Hell is that awful dye job on George Clooney? He looks pathetic’.
George himself even admitted during a recent interview on CBS Mornings he knows his hair isn’t good and said he still isn’t used to the new look himself.
Gayle King said: ‘I have to take a moment looking at you with the dark hair.’
‘I know it’s not good!’ George interjected.
He attended the show with his glamorous wife Amal by his wide
While the temporary hair might not impressed many, his work in the play certainly did – he is nominated for the Tony for Best Performance By An Actor In A Leading Role In A Play
Amal looked glamorous in a white beaded dress paired with coordinating heels
The couple have been married since 2014 and share eight-year-old twins Ella and Alexander together
Gayle added: ‘I didn’t say it wasn’t good!’
‘Oh, It’s not good! I’m not used to it, you never get used to it. Listen, I started getting grey when I was 25 so I’ve been grey most of my life so it’s not my favourite look.
‘And my wife, she thinks it’s funny,’ he said, adding their children ‘laugh’ at his hair.
‘Honestly nothing makes you look older than being 63 and dying your hair,’ he said.
The play is based on his 2005 film of the same name which he previously wrote, directed and starred in.
Amal gave her husband a kiss on the red carpet
The human rights attorney worked a pair of Roger Vivier’s I Love Vivier pumps
She accessorized the look with a marble clutch
‘I know it’s not good,’ Clooney previously admitted of his hair in a chat with Gayle King
The couple were preparing for an evening of celebrating the best of Broadway
They were shielded by an umbrella as they headed to Radio City Music Hall, where the awards show is being held
The couple sweetly held hands as they attended the big event
He also posed with Broadway legend Lin-Manuel Miranda
In his 2005 film, David Strathairn played the lead role, while George took a supporting role as CBS President Fred Friendly, in addition to working behind the camera.
The movie, which was sH๏τ in black-and-white, focused on Murrow’s reports on Senator Joseph McCarthy’s unfounded claims of communist infiltration in the US government.
This leads to a fiery confrontation between the two men on Murrow’s CBS broadcast ahead of the senator’s humiliation at the Army–McCarthy hearings and subsequent censure from the Senate.
The all-star cast also included Robert Downey Jr., Jeff Daniels, Patricia Clarkson, Frank Langella and Twin Peaks star Ray Wise.
George’s film was a hit at the box office, grossing $54.6 million against a $7 million budget, and it earned six Oscar nominations, though it went home empty-handed.
Tony Awards 2025 nominees
Best Musical
Buena Vista Social Club
ᴅᴇᴀᴅ Outlaw
Death Becomes Her
Maybe Happy Ending
Operation Mincemeat: A New Musical
Best Revival of a Play
Eureka Day — Author: Jonathan Spector
Romeo + Juliet
Thornton Wilder’s Our Town
Yellow Face — Author: David Henry Hwang
Best Performance by an Actor in a Leading Role in a Play
George Clooney — Good Night, And Good Luck
Cole Escola — Oh, Mary!
Jon Michael Hill — Purpose
Daniel Dae Kim — Yellow Face
Harry Lennix — Purpose
Louis McCartney — Stranger Things: The First Shadow
Best Performance by an Actor in a Leading Role in a Musical
Darren Criss — Maybe Happy Ending
Andrew Durand — ᴅᴇᴀᴅ Outlaw
Tom Francis — Sunset Blvd.
Jonathan Groff — Just In Time
James Monroe Iglehart — A Wonderful World: The Louis Armstrong Musical
Jeremy Jordan — Floyd Collins
Best Performance by an Actor in a Featured Role in a Play
Glenn Davis — Purpose
Gabriel Ebert — John Proctor Is The Villain
Francis Jue — Yellow Face
Bob Odenkirk — Glengarry Glen Ross
Conrad Ricamora — Oh, Mary!
Best Performance by an Actor in a Featured Role in a Musical
Brooks Ashmanskas —SMASH
Jeb Brown — ᴅᴇᴀᴅ Outlaw
Danny Burstein — Gypsy
Jak Malone — Operation Mincemeat: A New Musical
Taylor Trensch — Floyd Collins
Best Direction of a Play
Knud Adams — English
Sam Mendes — The Hills Of California
Sam Pinkleton — Oh, Mary!
Danya Taymor — John Proctor Is The Villain
Kip Williams — The Picture Of Dorian Gray
Best Book of a Musical
Buena Vista Social Club — Marco Ramirez
ᴅᴇᴀᴅ Outlaw — Itamar Moses
Death Becomes Her — Marco Pennette
Maybe Happy Ending — Will Aronson and Hue Park
Operation Mincemeat: A New Musical — David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts
Best Scenic Design of a Play
Marsha Ginsberg — English
Rob Howell — The Hills of California
Marg Horwell and David Bergman — The Picture of Dorian Gray
Miriam Buether and 59 — Stranger Things: The First Shadow
Scott Pask — Good Night, and Good Luck
Best Costume Design of a Play
Brenda Abbandandolo — Good Night, And Good Luck
Marg Horwell — The Picture of Dorian Gray
Rob Howell — The Hills Of California
Holly Pierson — Oh, Mary!
Brigitte Reiffenstuel — Stranger Things: The First Shadow
Best Lighting Design of a Play
Natasha Chivers — The Hills Of California
Jon Clark — Stranger Things: The First Shadow
Heather Gilbert and David Bengali — Good Night, And Good Luck
Natasha Katz and Hannah Wasileski — John Proctor Is The Villain
Nick Schlieper — The Picture Of Dorian Gray
Best Sound Design of a Play
Paul Arditti — Stranger Things: The First Shadow
Palmer Hefferan — John Proctor Is The Villain
Daniel Kluger — Good Night, And Good Luck
Nick Powell — The Hills Of California
Clemence Williams — The Picture of Dorian Gray
Best Choreography
Joshua Bergᴀsse — SMASH
Camille A. Brown — Gypsy
Christopher Gattelli — Death Becomes Her
Jerry Mitchell — BOOP! The Musical
Patricia Delgado and Justin Peck — Buena Vista Social Club
Best Play
English — Author: Sanaz Toossi
The Hills of California — Author: Jez ʙuттerworth
John Proctor Is The Villain — Author: Kimberly Belflower
Oh, Mary! — Author: Cole Escola
Purpose — Author: Branden Jacobs-Jenkins
Best Revival of a Musical
Floyd Collins — Book/Additional Lyrics: Tina Landau; Music & Lyrics: Adam Guettel
Gypsy
Pirates! The Penzance Musical
Sunset Blvd.
Best Performance by an Actress in a Leading Role in a Play
Laura Donnelly — The Hills Of California
Mia Farrow — The Roommate
LaTanya Richardson Jackson — Purpose
Sadie Sink — John Proctor Is The Villain
Sarah Snook — The Picture Of Dorian Gray
Best Performance by an Actress in a Leading Role in a Musical
Megan Hilty — Death Becomes Her
Audra McDonald — Gypsy
Jasmine Amy Rogers — BOOP! The Musical
Nicole Scherzinger — Sunset Blvd.
Jennifer Simard — Death Becomes Her
Best Performance by an Actress in a Featured Role in a Play
Tala Ashe — English
Jessica Hecht — Eureka Day
Marjan Neshat — English
Fina Strazza — John Proctor Is The Villain
Kara Young — Purpose
Best Performance by an Actress in a Featured Role in a Musical
Natalie Venetia Belcon — Buena Vista Social Club
Julia Knitel — ᴅᴇᴀᴅ Outlaw
Gracie Lawrence — Just In Time
Justina Machado — Real Women Have Curves: The Musical
Joy Woods — Gypsy
Best Direction of a Musical
Saheem Ali — Buena Vista Social Club
Michael Arden — Maybe Happy Ending
David Cromer — ᴅᴇᴀᴅ Outlaw
Christopher Gattelli — Death Becomes Her
Jamie Lloyd — Sunset Blvd.
Best Original Score (Music and/or Lyrics) Written for the Theatre
ᴅᴇᴀᴅ Outlaw — Music & Lyrics: David Yazbek and Erik Della Penna
Death Becomes Her — Music & Lyrics: Julia Mattison and Noel Carey
Maybe Happy Ending —Music: Will Aronson; Lyrics: Will Aronson and Hue Park
Operation Mincemeat: A New Musical — Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts
Real Women Have Curves: The Musical — Music & Lyrics: Joy Huerta and Benjamin Velez
Best Orchestrations
Andrew Resnick and Michael Thurber — Just in Time
Will Aronson — Maybe Happy Ending
Bruce Coughlin — Floyd Collins
Marco Paguia — Buena Vista Social Club
David Cullen and Andrew Lloyd Webber — Sunset Blvd.
Best Scenic Design of a Musical
Rachel Hauck — Swept Away
Dane Laffrey and George Reeve — Maybe Happy Ending
Arnulfo Maldonado — Buena Vista Social Club
Derek McLane — Death Becomes Her
Derek McLane — Just In Time
Best Costume Design of a Musical
Dede Ayite — Buena Vista Social Club
Gregg Barnes — BOOP! The Musical
Clint Ramos — Maybe Happy Ending
Paul Tazewell — Death Becomes Her
Catherine Zuber — Just In Time
Best Lighting Design of a Musical
Jack Knowles — Sunset Blvd.
Tyler Micoleau — Buena Vista Social Club
Scott Zielinski and Ruey Horng Sun — Floyd Collins
Ben Stanton — Maybe Happy Ending
Justin Townsend — Death Becomes Her
Best Sound Design of a Musical
Jonathan Deans — Buena Vista Social Club
Adam Fisher — Sunset Blvd.
Peter Hylenski — Just In Time
Peter Hylenski — Maybe Happy Ending
Dan Moses Schreier — Floyd Collins
