Irina Shayk, Diane Kruger and Andie MacDowall looked incredible as they led the arrivals at the Dossier 137 premiere during day three of Cannes Film Festival on Thursday.

Russian model Irina, 39, put on a show-stopping display in a strapless feather gown as she struck a pose on the iconic red steps.

She teamed her look with a striking red lip and layered her dazzling silver jewellery over chic black satin gloves.

German actress Diane Kruger, 48, was the epitome of Hollywood glamour in a shimmering dress, adorned with a dramatic feather train.

Andie MacDowall, 67, showed off her age-defying figure in a glamorous silver gown as she made her way onto the star-studded carpet.

The American actress put on a very animated display in the plunging black lace neckline garment. 

Irina Shayk, 39, looked incredible as they led the arrivals at the Dossier 137 premiere during day three of Cannes Film Festival on Thursday

German actress Diane Kruger, 48, was the epitome of Hollywood glamour in a shimmering dress, adorned with feather trains 

Andie MacDowall showed off her age-defying figure in a glamorous silver gown as she arrived on the star-studded carpet 

Dossier (Case) 137 is a French crime drama film co-written and directed by Dominik Moll, starring Léa Drucker. 

The film will be released in French cinemas on November 19 2025. 

The movie’s synopsis reads: ‘Case 137 is seemingly just another case for Stéphanie, an investigator at the IGPN, the police of the police. 

‘But an unexpected element will trouble Stéphanie and transform case 137 into something more than a simple number.’

This year’s Cannes Film Festival is taking place in the wake of Trump´s vow to enact tariffs on international films.

Cannes, where filmmakers, sales agents and journalists gather from around the world, is the Olympics of the big screen, with its own golden prize, the Palme d´Or, to give out at the end. 

Filmmakers come from nearly every corner of the globe to showcase their films while dealmakers work through the night to sell finished films or packaged productions to various territories.

‘You release a film into that Colosseum-like situation,’ says Brazilian director Kleber Mendonça Filho, who´s returning to Cannes with ‘The Secret Agent, a thriller set during Brazil´s dictatorship. 

Russian model Irina put on a show-stopping display in a strapless feather gown as she struck a pose on the iconic red steps

She teamed her look with a striking red lip and layered her dazzling silver jewellery over chic black satin gloves

Dossier (Case) 137 is a French crime drama film co-written and directed by Dominik Moll, starring Léa Drucker

Irina showcased her smooth complexion with a subtle swipe of makeup and wet-look hairstyle 

All eyes turned to Diane as she made a striking entrance onto the red carpet

Her dazzling gown was complemented with a halterneck white bralette and a matching headband

The American actress put on a very animated display in the plunging black lace neckline garment

The film will be released in French cinemas on November 19 2025

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‘You´ve got to really prepare for the whole experience because it´s quite intense – not very far from the feeling of approaching a roller coaster as you go up the steps at the Palais.’ 

Trump sent shock waves through Hollywood and the international film community when he announced on May 4 that all movies “produced in Foreign Lands” will face 100% tariffs.

The White House has said no final decisions have been made. Options being explored include federal incentives for U.S.-based productions, rather than tariffs. But the announcement was a reminder of how international tensions can destabilize even the oldest cultural insтιтutions.

The Cannes Film Festival originally emerged in the World War II years, when the rise of fascism in Italy led to the founding of an alternative to the then-government controlled Venice Film Festival. 

In the time since, Cannes´ resolute commitment to cinema has made it a beacon to filmmakers. Countless directors have come to make their name.

This year is no different, though some of the first-time filmmakers at Cannes are already particularly well-known. 

Kristen Stewart (The Chronology of Water), Scarlett Johansson (Eleanor the Great) and Harris Dickinson (Urchin) will all be unveiling their feature directorial debuts in Cannes´ Un Certain Regard sidebar section.

Many Cannes veterans will be back, too, including Tom Cruise (Mission: Impossible – The Final Reckoning), Robert De Niro – who´s to receive an honorary Palme d´Or 49 years after Taxi Driver premiered in Cannes – and Quentin Tarantino, to pay tribute to low-budget Western director George Sherman.

The movie’s synopsis reads: ‘Case 137 is seemingly just another case for Stéphanie, an investigator at the IGPN, the police of the police’ (Léa Drucker pictured)

‘But an unexpected element will trouble Stéphanie and transform case 137 into something more than a simple number’ 

Over recent years the star-studded extravaganza has arguably won more attention for the outfits worn by its celebrity guests than the roster of feature films being screened on the Croisette. 

But new nudity rules, devised for ‘the sake of decency,’ have been implemented at this year’s festival.  

According to organisers, the austere move is an attempt to stifle the celebrity trend for ‘naked dresses’ – namely provocative outfits that reveal considerably more than they conceal – on the red carpet.

‘For decency reasons, nudity is prohibited on the red carpet, as well as any other area of the festival,’ states a Cannes festival document.

‘The festival welcoming teams will be obligated to prohibit red carpet access to anyone not respecting these rules.’